The artists insomnia and what it leads to.

An artists mind never stops, and at times this can lead to the inevitable period of insomnia that occurs most nights. Tonight I was unable to get to sleep, so I decided to do some reading. I managed to plow through a couple of length articles in a recent issue of Art Forum (which has proved to be quite a good journal). I read two articles in particular that got me thinking. One was on the artist James Turrell, who works with large earth and architectural works working with light as his medium, on vastly different scales. The other article that I read was on a lesser known artist; Les Levine, a contemporary of Andy Warhol, his work is hard to pin down. He seemed to use the guises of minimalist, conceptual artist and post-minimalist as he needed to. His work is multi-disciplinary, involving elaborate multimedia installations of closed circuit television and light and sound to larger outdoor works. I am not here to delve too deeply into each artists biography or their practice for a matter of fact. This bit of writing is more about my own creative thought process. I used to think that artists like these were hacks, “bullshit artists”. But it hasn’t been until recent times that I have begun to take an interest in the conceptual part of their practice, that is to say the thoughts and ideas that they come up with before creating a work. People don’t fully appreciate the amount of planning these artists would go through just to organize one outdoor work, or even something more contained. It is this interest in these artists work that generates thought for my own practice, even though our practices vary quite dramatically, the processes of thought and concept are almost the one and the same. I think that I am just generally amazed that I managed to find artists like these interesting, and furthermore; it leading to my own practice being enriched. 

 

So take note, read widely, don’t just read about painting if you’re a painter, or just about sculpture etc, read more, watch documentaries, interviews etc. Gain knowledge, even if you’re not an artist, just more of an art enthusiast, a collector of art etc. Anyways, I hope that this ramble made some sort of sense to whoever may be reading this, below I have linked some potential avenues of research on the aforementioned artists. 

 

https://www.google.com.au/#q=james+turrell

 

https://www.google.com.au/#q=les+levine

Strokes of Genius: De Kooning On De Kooning

Volume 3 in the six-part Strokes of Genius series featured on PBS in 1984. Introduction by Dustin Hoffman from the studio of Willem de Kooning.

I claim no copyright or permission. I am just sharing an educational clip I found on YouTube.

Artist of the week: Ellsworth Kelly

Ellsworth Kelly (American, b.1923) is a painter and sculptor who established his own style amidst the pervasive influence of the Abstract Expressionist and Pop Art movements. Born in New York City, Kelly admired the works of Naturalist John James Audubon (American, 1785–1851) as a child and loved to draw, even though his parents only reluctantly permitted him to study at the Pratt Institute in Brooklyn, NY. After serving during World War II for two years as a camouflage artist, Kelly was able to study on the GI Bill at the School of the Museum of Fine Arts, in Boston, MA, and then at the École Nationale Supérieure des Beaux-Arts in Paris, France.

Separated from the American art world while in Europe, Kelly developed his distinctive method of painting, which features canvases painted in a single color, at times in isolation and other times grouped with differently colored canvases. These works echo Kelly’s desire to separate himself from the traditional roles of composition and the artist’s hand. Kelly only returned to the US when he believed that the enthusiasm for Abstract Expressionism had died down enough to allow his work to get some visibility. By the end of the 1950s, he was internationally recognized for his monochromatic canvases, which began to take the shape of non-rectangular forms such as ovals and curves. Kelly also began to create sculptures similar to his paintings, featuring simple two-dimensional forms. In 1970, the artist moved to upstate New York, where he shifted his focus to create large outdoor sculptures concerned more with color than form. Many of his public works are now on display around the world. Kelly now lives and works in Spencertown, NY.

 

Image

Sunflower II, 2004, lithograph, 37 x 29 inches.

 

Image

Black Curve, 1973, lithograph, 26 x w: 26 in.

 

Images and text: http://www.artnet.com/artists/ellsworth-kelly/