Artist of the Week: Bernard Buffet

Bernard Buffet (French, 1928–1999) was a painter well-known for his Expressionist works. Buffet was a member of L’homme Témoin [the Witness-Man], an Anti-Abstract Art Group. Buffet was born in Paris, France, and he attended the École Nationale Supérieure des Beaux-Arts to study Art. Around the same time, Buffet also worked at the studio of Eugène Narbonne (French, 1885–1966). As a struggling young artist, Buffet was supported by a French picture and art dealer while he was working on different works, including portraits, still-lifes, religious pieces, and landscapes.

The artist’s first painting was exhibited in 1946 at the Galerie Beaux-Arts in Paris, France. After that, Buffet held at least one exhibition in each of the subsequent years. The French magazine Connaissance des arts named him number one in a list of the 10 best post-war artists. The first retrospective of Buffet’s work was held in 1958 at the Galerie Charpentier in Paris. In 1973, the Bernard Buffet Museum was inaugurated in the artist’s honor in Surugadaira, Japan. Five years later, in 1978, Buffet was commissioned by the French government to design a stamp depicting the Institut et le Pont des Arts. Examples of his paintings include Tête de Veau (1954), Bouquet (1965), and Still Life (1991).

Buffet participated in numerous exhibitions in different places, including solo exhibitions at The French Institute, Berlin, Germany, in 1959, The Postal Museum, Paris, France, in 1978, and The Odakyu Museum, Tokyo, Japan, in 1995. Apart from solo exhibitions, the artist also took part in numerous group exhibitions, including those at the Salon des Independants, Paris, France, in 1947, and at the Salon d’Automne, Paris, France, in 1948. Major retrospectives of Buffet’s works have been held at institutions including Galerie Charpentier, Paris, France, in 1958, The Museum of Modem Art, Tokyo, Japan, in 1963, and Seedamm Cultural Center, Zurich, Switzerland, in 1983. Buffet received numerous awards for his works, including Member of the Salon d’Automne in 1947, co-recipient of the Prix de la Critique with Bernard Lorjou (French, 1908–1986) in 1948, and Officer of the Légion d”Honneur in 1973. Buffet’s works are held in different public collections, such as the National Gallery of Canada, in Ottawa, the National Museum of Western Art, in Tokyo, Japan, and Ca la Ghironda, in Bologna, Italy. Towards the end of his career, Buffet was unable to work because he was suffering from Parkinson’s disease. Buffet committed suicide in 1999 in Tourtour, France.

 

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Nature morte, 1955. Water colour and pen and ink on paper, 65 x 50 cm.

 

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Album Paris – Le Sacre Coeur, 1962, (edition of 150). Lithograph, in seven colors, on Rives paper, 55 x 73 cm.

 

Images and text: http://www.artnet.com/artists/bernard-buffet-2/

 

 

Business Cards

I just received the business cards as well as some postcards that I designed and ordered from vistaprint.com. Having business cards and other promotional material as an artist is important because its is another form of promotion for your work and your practice, well designed business card can get a person interested in who you are and what you do, even people who may not have been interested in what you do in the past. Postcards act as another form of promotion, by offering a number of them for sale and strategically giving some away you further promote your practice as an artist and give people a taste of what it is that you do. Going through companies such as Vista Print is a cost effective way to get what you need, though if you are so inclined you can always hire a graphic designer to design the cards for you and print them yourself, though the costs can be prohibitively expensive.

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Artist Statement

Here is my most recent artist statement, it is a brief piece of writing relating to my most recent work and practice.

 

Painting is a meditative medium, whether you work in the figurative/representational tradition or as an abstract painter, or even cross between the two realms like myself, the act of painting transcends all schools, styles and movements. Over the past year there has been a major transformation in my work and my creative process, I have changed my practice radically, moving away from figurative and representational painting and investigating the potential results abstraction can offer. I have come to understand that the process of abstraction; especially when abstracting from life, is not just what we see, but also what we feel, remember, taste and hear. The act of abstract painting is the translation of these sensations, along with sight, into a visual art context. John Elderfield et al (2011) writes “A representational painting can be composed through abstract manipulation of the medium of painting and also the less familiar one that an abstract painting may be created through acts of representation” My current work is about the appropriation of representational elements and manipulating them into abstract compositions, I am questioning what we interpret as the world around us, experiences, happenings and memories and how these can be represented in an abstracted context.

 

Bibliography

Eldefield, J et al 2011, de Kooning a retrospective, The Museum of Modern Art, New York. 

Late night creative urges

Just some random thoughts on why it is that I get the urge to draw at paint later on during the day? My general theory is that I am a nocturnal creature and that my creative juices get flowing at a later time rather than motivating me to create. Also it could be that it is a lot quieter at night, which allows me to focus more on the act of creation, whereas during the day there are many distractions. Picasso loved to work into the night especially as soon as he got a hold of some portable lighting that allowed him to work at night.

Here’s a little something I popped out the other night. 

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