A machine that can replicate almost any work of art using a sophisticated series of software and advanced mechanics. What does this mean for us artists? Not much I think, art forgers have been around for decades, as impressive as this machine is, it seems to be more of a demonstration of the advanced software and hardware than its ability to replicate works of art. Still impressive though.
I just received the business cards as well as some postcards that I designed and ordered from vistaprint.com. Having business cards and other promotional material as an artist is important because its is another form of promotion for your work and your practice, well designed business card can get a person interested in who you are and what you do, even people who may not have been interested in what you do in the past. Postcards act as another form of promotion, by offering a number of them for sale and strategically giving some away you further promote your practice as an artist and give people a taste of what it is that you do. Going through companies such as Vista Print is a cost effective way to get what you need, though if you are so inclined you can always hire a graphic designer to design the cards for you and print them yourself, though the costs can be prohibitively expensive.
Here is my most recent artist statement, it is a brief piece of writing relating to my most recent work and practice.
Painting is a meditative medium, whether you work in the figurative/representational tradition or as an abstract painter, or even cross between the two realms like myself, the act of painting transcends all schools, styles and movements. Over the past year there has been a major transformation in my work and my creative process, I have changed my practice radically, moving away from figurative and representational painting and investigating the potential results abstraction can offer. I have come to understand that the process of abstraction; especially when abstracting from life, is not just what we see, but also what we feel, remember, taste and hear. The act of abstract painting is the translation of these sensations, along with sight, into a visual art context. John Elderfield et al (2011) writes “A representational painting can be composed through abstract manipulation of the medium of painting and also the less familiar one that an abstract painting may be created through acts of representation” My current work is about the appropriation of representational elements and manipulating them into abstract compositions, I am questioning what we interpret as the world around us, experiences, happenings and memories and how these can be represented in an abstracted context.
Eldefield, J et al 2011, de Kooning a retrospective, The Museum of Modern Art, New York.