Mechanical Painting.

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Robotic Art Forger.

A machine that can replicate almost any work of art using a sophisticated series of software and advanced mechanics. What does this mean for us artists? Not much I think, art forgers have been around for decades, as impressive as this machine is, it seems to be more of a demonstration of the advanced software and hardware than its ability to replicate works of art. Still impressive though.

Artist of the week: Alexander Calder

On my artists page on Facebook https://www.facebook.com/pages/Nik-Uzunovski-Artist/225201424159742 I started a series where I would find an artist whose work I enjoyed, or has inspired me or has just been a general interest to me and I have shared the artist and some examples of their work on my artists page, usually by way of sharing a link to a page like artnet.com

I have recently decided to move this series over to my blog and will do my best to make it the best series possible, rather than just copying and pasting a link. So this will be the first official artist of the week feature on my blog.

This week’s artist is Alexander Calder: (Text and images from www.artnet.com)

Alexander Calder (American, 1898–1976) is one of the most celebrated sculptors of the 20th century. Born in Pennsylvania, Calder was interested in creating movable objects from a young age, and graduated from the Stevens Institute of Technology, Hoboken, NJ, in 1919, with an engineering degree. He later decided to pursue a career as an artist, and moved to New York City to study painting at the Art Students League. While in New York City, he worked for the National Police Gazette and was sent on assignment to sketch circuses, a festive motif that would become a famous and enduring subject in his work. Upon moving to Paris in 1926, Calder began creating large-scale mechanical installations of intricate circus scenes, featuring wire sculptures with moving parts that he would operate over a two-hour performance session. Building off of his Cirque Calder, he began sculpting portraits and figures out of wire, and received critical attention exhibiting these works in subsequent gallery shows in New York City, Paris, and Berlin.He befriended several important Abstract artists in Paris at this time, including Joan Miró (Spanish, 1896-1983) and Piet Mondrian (Dutch, 1872-1944), and was invited to join the group Abstraction-Création in 1931. Inspired by the work of his fellow artists, he incorporated Abstract Kinetic elements into his sculptures, creating the Mobiles he is best known for today, in addition to his static works, Stabiles. Calder constructed his unique sculptures out of wire, metal, and wood, combining Abstract and Surrealist forms with biomorphic imagery in a distinctive style. His structures were carefully weighted and balanced, remaining sensitive to the movement of the wind or the motions of the viewer. Internationally celebrated for his wholly unique, whimsical pieces, Calder produced a wide-ranging body of work during his lifetime, including sculptures, drawings, paintings, jewelry, and set designs. He has had several retrospectives, and, among many other awards, was honored with the Presidential Medal of Freedom and the Bicentennial Artist Award from the Whitney Museum of American Art, from New York City, in 1976. He died that same year, at 78 years old

Image
Coral and Shells, 1970. Colour Lithograph, 69.7 x  99.5 cm.
Image
La memoire elementare (edition 48/100), 1978. Lithograph, 51.4 x 72.1 cm.