Well this blog originally began as a course requirement for University, however it morphed into something else. It became another place for me to share my thoughts on art and my own art practice at length. Although I have not yet posted anything of academic substance I feel that I have been able to make my voice be heard, however soft it may be at this time.
I recently achieved the 20 followers milestone on my blog, kinda feels like unlocking an achievement in a video game to be quite honest. 20 followers is definitely a solid milestone, considering that at the beginning I did not intend to use this blog anymore than I felt that I needed to, and here we are, just over a year later and I am still posting content as regularly as I can. I know that I have been quite absent, I have given up on the artist of the week feature, it felt as though it was a bit of a waste, I was merely copying and pasting biographical text from the source site (with proper references and acknowledgements) as well as images. It didn’t feel as though I was contributing anything besides a digital regurgitation of an artists brief bio and some examples of their work. I want to create pieces of writing in my own words about the artists that interest me rather than just cutting and pasting some info on them. I am aiming on creating more critical pieces of writing, however, as many writers; art writers in particular, will know it isn’t an easy job to just pop out any old bit of critical writing. Much like my paintings and other work it takes time to construct, edit and refine. So bare with me.
I am also wanting to produce reviews on shows that I have seen, although history will prove that art critics aren’t always the most popular people when they write negatively about an artist or their work. Well whatever I may write will be my opinion, it doesn’t need to be taken as “God’s word”, and I encourage feedback and correspondence from my subscribers (constructive and thought through).
As for my practice, I have had a rather fruitful year. Producing somewhere in the range of 50-60 works in total (should really do a count). I have been involved in a solid number of group shows and I finally had my own solo show as well as being involved in a group show in a Sydney gallery. I accomplished more than I thought I would in a year. I have grown my Facebook page, Twitter and Instagram and I am actively trying to further my blog/website; raising the bar on how well my social media outlets perform and how well they’re going at helping me get my work out their and grow the audience for it. As I will be seeking paid employment in the new year, I imagine my production of paintings and works on paper may slow down somewhat. Though it may slow down, this does not mean that it will cease completely, now way!!! I am aiming to be involved in more group shows this coming year; 2014. And I also am aiming to have another solo show; I will be trying to make it a regular event every year; of course some years I may not be able to produce a substantial amount of work, but group shows will always be a staple in my exhibiting schedule.
Many thanks to everyone who has supported me for the last seven years. Who would have thought that I would have become what I am today; even if that isn’t much. I am doing what I love, people are responding to it positively and constructively for the most part. For those who only know how to respond negatively, I am reminded of some people’s inadequacies and I keep my head up and my feet moving past your ignorance.
Merry Christmas and a Happy New Year.
Emil Nolde (German, August 7, 1867–April 13, 1956) was a painter and printmaker. He was born close to the German-Danish border, near the village of Nolde, under the birth name of Emil Hansen. His parents were Frisian and Danish peasants. Nolde was known for his bold choice of colors and dynamic brushwork. He is considered to be one of the first Expressionists. As a young adult, he worked in furniture factories, and did woodcarving and craftsman work. In 1889, the artist entered the School of Applied Arts in Karlsruhe, and became a drawing teacher in Switzerland. In his childhood years, he had a passion for drawing and painting, but he did not pursue a career as an artist until he was 31. In 1898, Nolde was turned down by the Munich Academy of Fine Arts. His rejection motivated him to hone his skills as an artist; he took painting and drawing classes for the next three years. During this time, Nolde often visited Paris, and he became familiar with the Impressionist Art culture that existed at that time. In 1902, he married actress Ada Vilstrup and relocated to Berlin. Shortly after moving, Nolde met art collector Gustav Schiefler (German, 1857–1935) and artist Karl Schmidt-Rottluff (German, 1884–1976). Later in life, both of these men were instrumental in advocating Nolde’s work.
In the early 1920s, Nolde became a supporter and member of the Danish section of the Nazi Party. Unfortunately for Nolde, Hitler did not agree with his style of art and eventually condemned his work. Because of his condemnation by the Nazi Party, 1,052 pieces of Nolde’s work were removed from museums and art galleries. After the removal of his work, the Nazi Party forbade him to paint in both public and private spaces. In spite of this, Nolde created hundreds of watercolor paintings in what he called the Unpainted Pictures series. Some of his other famous paintings include Portrait of a Young Woman and a Child (1926), Prophet (1921), and Young Couple (1913).
The artist’s work has been exhibited in many art galleries and museums, including the Hermitage Museum in St. Petersburg, Russia, and the Museum of Modern Art in New York, NY. Nolde died on April 13, 1956.
Italiener, 1906, woodcut, 28.3 cm x 22.8 cm.
Schiefer Turm in Soest, 1906, etching, 19.3 x 14. cm .
Images and text: http://www.artnet.com/artists/emil-nolde/
A machine that can replicate almost any work of art using a sophisticated series of software and advanced mechanics. What does this mean for us artists? Not much I think, art forgers have been around for decades, as impressive as this machine is, it seems to be more of a demonstration of the advanced software and hardware than its ability to replicate works of art. Still impressive though.
Richard Diebenkorn (American, 1922–1993) was a versatile 20th century American painter. Born in Portland, Oregon, Diebenkorn grew up in San Francisco, where he attended Stanford University. Diebenkorn lived in several other locations around the United States before he returned to California, where he continued to produce his mature paintings. After two years of service in the United States Marine Corps, Diebenkorn studied at the University of New Mexico under the G.I. Bill and was immersed in the Abstract Expressionism, inspired by New York School Artists. Diebenkorn’s focus shifted, however, in the 1950s, when he began to produce Figurative paintings associated with the Bay Area Figurative Movement. Inspired by the work of Henri Matisse (French, 1869–1954), Diebenkorn drew on his bright Californian surroundings to create images defined by planes of carefully chosen color. After a decade and a half of painting figuratively, in 1967 Diebenkorn returned to abstraction, with a new geometric style different from his early Abstract Expressionist-inspired efforts. This is evident in his famous Ocean Park cycle, which he developed into 140 paintings from 1967, until his death in 1993.
Blue Loop, 1980, Aquatint printed in colors, 37.8 x30.2 cm.
Green, 1986, Etching, aquatint and drypoint in colors, 134.6 x 103.4 cm.
Images and text: http://www.artnet.com/artists/richard-diebenkorn/