Culture Now: C-G Hagström on Tove Jansson

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Artist of the month April: Guy Maestri

Daily posts of the work of the artist Guy Maestri on my artist page on Facebook. Like my page in the link below. Also follow me on Twitter and Instagram @nikuzo87

 

 

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Guy Maestri, “Luke’s Lane No.9”, 2014, Oil on linen, 87 x 77 cm.

 

https://www.facebook.com/pages/Nik-Uzunovski-Artist/225201424159742

Followers milestone, my absence on WordPress, my practice.

Well this blog originally began as a course requirement for University, however it morphed into something else. It became another place for me to share my thoughts on art and my own art practice at length. Although I have not yet posted anything of academic substance I feel that I have been able to make my voice be heard, however soft it may be at this time.

 

I recently achieved the 20 followers milestone on my blog, kinda feels like unlocking an achievement in a video game to be quite honest. 20 followers is definitely a solid milestone, considering that at the beginning I did not intend to use this blog anymore than I felt that I needed to, and here we are, just over a year later and I am still posting content as regularly as I can. I know that I have been quite absent, I have given up on the artist of the week feature, it felt as though it was a bit of a waste, I was merely copying and pasting biographical text from the source site (with proper references and acknowledgements) as well as images. It didn’t feel as though I was contributing anything besides a digital regurgitation of an artists brief bio and some examples of their work. I want to create pieces of writing in my own words about the artists that interest me rather than just cutting and pasting some info on them. I am aiming on creating more critical pieces of writing, however, as many writers; art writers in particular, will know it isn’t an easy job to just pop out any old bit of critical writing. Much like my paintings and other work it takes time to construct, edit and refine. So bare with me.

 

I am also wanting to produce reviews on shows that I have seen, although history will prove that art critics aren’t always the most popular people when they write negatively about an artist or their work. Well whatever I may write will be my opinion, it doesn’t need to be taken as “God’s word”, and I encourage feedback and correspondence from my subscribers (constructive and thought through).

 

As for my practice, I have had a rather fruitful year. Producing somewhere in the range of 50-60 works in total (should really do a count). I have been involved in a solid number of group shows and I finally had my own solo show as well as being involved in a group show in a Sydney gallery. I accomplished more than I thought I would in a year. I have grown my Facebook page, Twitter and Instagram and I am actively trying to further my blog/website; raising the bar on how well my social media outlets perform and how well they’re going at helping me get my work out their and grow the audience for it. As I will be seeking paid employment in the new year, I imagine my production of paintings and works on paper may slow down somewhat. Though it may slow down, this does not mean that it will cease completely, now way!!! I am aiming to be involved in more group shows this coming year; 2014. And I also am aiming to have another solo show; I will be trying to make it a regular event every year; of course some years I may not be able to produce a substantial amount of work, but group shows will always be a staple in my exhibiting schedule.

 

Many thanks to everyone who has supported me for the last seven years. Who would have thought that I would have become what I am today; even if that isn’t much. I am doing what I love, people are responding to it positively and constructively for the most part. For those who only know how to respond negatively, I am reminded of some people’s inadequacies and I keep my head up and my feet moving past your ignorance.

 

Merry Christmas and a Happy New Year.

 

Regards,

 

Nik.

 

 

 

Port Kembla. A progressive photographic project.

Some photography from the Inner Harbour of Port Kembla, some of the images may be repetitive but it is my first investigation and venture into the realm of photography for quite some time and I am also learning the ins and outs of my camera. Enjoy.

 

The artists insomnia and what it leads to.

An artists mind never stops, and at times this can lead to the inevitable period of insomnia that occurs most nights. Tonight I was unable to get to sleep, so I decided to do some reading. I managed to plow through a couple of length articles in a recent issue of Art Forum (which has proved to be quite a good journal). I read two articles in particular that got me thinking. One was on the artist James Turrell, who works with large earth and architectural works working with light as his medium, on vastly different scales. The other article that I read was on a lesser known artist; Les Levine, a contemporary of Andy Warhol, his work is hard to pin down. He seemed to use the guises of minimalist, conceptual artist and post-minimalist as he needed to. His work is multi-disciplinary, involving elaborate multimedia installations of closed circuit television and light and sound to larger outdoor works. I am not here to delve too deeply into each artists biography or their practice for a matter of fact. This bit of writing is more about my own creative thought process. I used to think that artists like these were hacks, “bullshit artists”. But it hasn’t been until recent times that I have begun to take an interest in the conceptual part of their practice, that is to say the thoughts and ideas that they come up with before creating a work. People don’t fully appreciate the amount of planning these artists would go through just to organize one outdoor work, or even something more contained. It is this interest in these artists work that generates thought for my own practice, even though our practices vary quite dramatically, the processes of thought and concept are almost the one and the same. I think that I am just generally amazed that I managed to find artists like these interesting, and furthermore; it leading to my own practice being enriched. 

 

So take note, read widely, don’t just read about painting if you’re a painter, or just about sculpture etc, read more, watch documentaries, interviews etc. Gain knowledge, even if you’re not an artist, just more of an art enthusiast, a collector of art etc. Anyways, I hope that this ramble made some sort of sense to whoever may be reading this, below I have linked some potential avenues of research on the aforementioned artists. 

 

https://www.google.com.au/#q=james+turrell

 

https://www.google.com.au/#q=les+levine

Artist of the week: Richard Diebenkorn.

Richard Diebenkorn (American, 1922–1993) was a versatile 20th century American painter. Born in Portland, Oregon, Diebenkorn grew up in San Francisco, where he attended Stanford University. Diebenkorn lived in several other locations around the United States before he returned to California, where he continued to produce his mature paintings. After two years of service in the United States Marine Corps, Diebenkorn studied at the University of New Mexico under the G.I. Bill and was immersed in the Abstract Expressionism, inspired by New York School Artists. Diebenkorn’s focus shifted, however, in the 1950s, when he began to produce Figurative paintings associated with the Bay Area Figurative Movement. Inspired by the work of Henri Matisse (French, 1869–1954), Diebenkorn drew on his bright Californian surroundings to create images defined by planes of carefully chosen color. After a decade and a half of painting figuratively, in 1967 Diebenkorn returned to abstraction, with a new geometric style different from his early Abstract Expressionist-inspired efforts. This is evident in his famous Ocean Park cycle, which he developed into 140 paintings from 1967, until his death in 1993.

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Blue Loop, 1980, Aquatint printed in colors, 37.8 x30.2 cm.

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Green, 1986, Etching, aquatint and drypoint in colors, 134.6 x 103.4 cm.

Images and text: http://www.artnet.com/artists/richard-diebenkorn/