Painting for an exhibition

In the next couple of weeks I will be exhibiting alongside six other artists at Studio 19, Central Chambers Wollongong City Mall, NSW Australia. For this group exhibition we all decided to work under an overall theme and title; question:make:connect. We are creating work in response to a question we want to answer with our work, whether it be something political, personal, profound or in relation to the process of creating a work.

I am questioning the process of abstraction in my work. Responding to the world around me and my thoughts and feelings and composing them onto a 2-D surface of canvas and board. The connecting part of the show is how we connect our work back to the question and also how our work connects as a group. We don’t aim to make literal connections, for example: we all painted landscapes or sculpted figures. But small connections like working on similar grounds i.e paper, canvas, board, cloth. Materials that are all fragile, holding work that is soft spoken and contemplative, yet is still strong enough to please the aesthetic eye
and quench the conceptual thirst.

Once the show is up I will make another post with pictures of everyones work. Until then I will leave you with a image of one of my works.

image

Dobell Prize For Drawing 2012

It has been a while since I have blogged. I have been occupied with a lot of things as of late, however, I felt that I needed to take the time to make a post about the Dobell Prize for Drawing at the Art Gallery of NSW Sydney. The Dobell prize was established in honour of the Australian artist William Dobell. The prize itself focuses on works that are defined as drawings, this definition is always pushed further and further each year, with more and more works incorporating numerous mediums in their creation. The prize money is impressive, the winner receiving $30,000 and have their work acquired by the gallery. Many works use mediums that aren’t usually associated with drawing; watercolour, acrylic and also drawing onto surfaces that are usually used as grounds for painting on, like wood panels. This years prize was full of beautiful work, examples of which are attached to this post. And I must apologise upfront, I completely forgot to document the artists names and the titles of the works. I was just so overwhelmed by the work itself. Though I do strongly encourage everyone to go and see the prize while it is still up, the best part about it, besides the work is the fact that it is for free! That’s right, for free! You get to see an entire show of contemporary drawing without paying an admission fee.

 

The prize is on until February 13th, so get along to the Art Gallery of NSW Sydney before then and experience some great contemporary drawing.

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