I recently made a post about how I came across some discounted frames that really seemed to lift the quality and appearance of my work. This post is a follow up on what I posted about recently. The work I am posting here are a series of ink on paper works that have been developing over time. The process contains several parts, often taking several days to complete; due to drying time. Even though ink dries relatively quickly it is quite easy to end up with a dark mess on paper. So rather than painting and drawing onto the paper continuously I start off with a watered down wash, where I mix about 1/4 parts ink with 3/4; or there about, it’s not always an exact science and I often feel my way through. Then I use a variety of ink and water colour brushes to establish a think, washy layer on the paper.
After this thin wash has dried I come back with full ink and begin to apply it to the surface of the paper with brush, quill and just about any other drawing material available in the studio; even using sticks and twigs can really create some interesting marks. Then I come back while the ink is still wet and apply some diluted ink onto the paper, creating a blurring effect, often seen in water colour, though I try not to do this all over, as it can result in a completely washed out appearance and wrecks the work.
Before framing the work I begin the process of visually editing what I have before me. Using the cut out mat I find the most interesting areas of the work and then I cut this out of the larger composition. Creating a new visual context, taking a part of a larger work, sometimes created by chance; when I flick and throw ink onto the paper, and editing it in a way that the work retains it’s integrity and develops a whole new life and identity once it has been framed up and is ready to hang. I will now leave you with some more images of my work